One of the interesting facets of opera is how it came to spread around Europe and develop as such a refined art form. Of all the operatic styles, I prefer Russian opera. Based usually on folk tales or the works of poets such as Pushkin, the works tend to be more choral, and the singing is at Baritone and Mezzosoprano levels, a register lower than Italians Tenor and Soprano. That interests me as while at university I spend some spare time with local operatic societies – in performances of Strausses “Die Fledermaus” and part of Wagners “The Ring”.
However, in researching the subject of Russian opera – and I know many works by the likes of Tchaikovsky, Borodin, Glinka and Prokofiev amongst others, it became apparent that these are what are now regarded as “the Russian operas” – composed by Russians and usually featuring traditional Russian songs and dances to support them. However, it was not always thus, and it’s the pre-Russian operas that I’m interested in.